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An Illustrated History of Chess_________________3____
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Compare
these pieces to the ones we were just examining. The board is
the same, and you can still recognize the horse...but the other
pieces have been replaced by neatly lathed abstractions.
Throughout the history of chess, this desire to make lathed pieces
has shaped the form of chessmen in many cultures. The pieces here
are so similar to each other that you might, at first, have trouble
telling them apart. |
| This
is makruk, the national chess of Thailand, still played
avidly throughout that country. All pieces, except one, retain the
same moves they had in ancient chess, but the former chariot
is considered to be a boat, the elephant is now
a nobleman, the king's assistant is a seed
and the foot soldier is a cowry shell. An interesting
mix of changes that fits the local realities of transportation and
politics, and the shapes and materials of the playing pieces. |

makruk, ready for a first move |

move of the nobleman, the typical "elephant's"
move
in Southeast Asia |
Note
also that the pawns are placed on the third row, something this
form of chess shares with Japanese chess — as we shall see
later.
The one piece that moves differently from its ancient counterpart
is the elephant/nobleman. Here we have an interesting story:
It is said that the elephant's move which caught on in Southeast
Asia represented the "five appendages" of the elephant.
He moved to the four diagonal directions for each of his legs,
plus straight forward — for the trunk.
The Thai "elephant" retains this centuries old interpretation,
but the specific image of the move is lost, as the piece has now
become a nobleman.
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So, we've seen that the ancient Persian chess moved westward,
where it became the Arabian game, and eventually evolved into
our modern western "international" chess. And it moved
east and south, where it became the modern Thai game of makruk...but
wait!
There
is another lineage of chess which may pre-date these
games altogether!
Let's take a look at chess in China...
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